Abdellatif Kechiche’s controversial “Mektoub, My Love: Intermezzo” has given Cannes 2019 its biggest critical bomb. The movie debuted in competition May 23 and caused walkouts because of a nearly ...
Many Cannes audience members reportedly walked out of director Abdellatif Kechiche's newest film, Mektoub, My Love: Intermezzo A film that premiered at the Cannes Film Festival this week reportedly ...
It’s been five years since Abdellatif Kechiche pulled off the rare feat of winning the Palme d’Or in a unanimous jury vote for “Blue Is the Warmest Color.” In that time, the director’s lesbian ...
Abdellatif Kechiche's controversial sequel "Mektoub, My Love: Intermezzo" premiered to some of the worst reviews ever for a Competition film at Cannes in 2019 and had allegations of behind-the-scenes ...
An extended oral sex scene in the director's Palme d'Or contender caused the first and only major walkouts at Cannes. “The most important thing for me and this is what I want to say right away, was to ...
Abdellatif Kechiche, who won the Palme d'Or for 2013's 'Blue Is the Warmest Color,' returns to Cannes with 'Mektoub, Love: Intermezzo,' a follow-up to his 2017 Venice competition film 'Mektoub My Love ...
After earning the Palme d’Or with his romantic drama Blue is the Warmest Color, Abdellatif Kechiche returned last fall to the Venice Film Festival with Mektoub, My Love: Canto Uno. Following sexy ...
Eight years after the premiere of 'Canto Uno,' the controversial director presumably ends his meandering coming-of-age trilogy with its shortest, most eventful and most diverting entry. That ...
Just when you think you’ve seen it all before, director Abdellatif Kechiche goes and drops something as toxically indulgent as “Mektoub, My Love: Intermezzo,” a three-and-half-hour-long provocation ...
Simply sign up to the Film myFT Digest -- delivered directly to your inbox. The best films of French-Tunisian director Abdellatif Kechiche — Couscous, Blue Is the Warmest Colour (Cannes Golden Palm ...
CANNES, France — Though sex scenes have become something of a rarity at the American multiplex, the pendulum tends to swing in the other direction at the Cannes Film Festival, where unabashed ...